From sculpture to glaze高浮彫から釉下彩へ
In 1871 the Kyoto potter Miyagawa Kōzan opened a kiln in the treaty port of Yokohama, a city without clay, kilns or craft tradition. There he invented takaukibori, high relief in which hawks, bears, crabs and blossoms seem to climb out of the vessel, and won acclaim from Philadelphia in 1876 onward.[2][6] From the 1880s he reinvented himself again as a master of Qing-inspired porcelain, underglaze colour and transmutation glazes, winning the only Japanese ceramic grand prix at Paris in 1900.[8][1]
- Born
- 1842, Makuzugahara, Kyoto
- Kiln
- Ōta, Yokohama, 1871–1945
- Imperial Household Artist
- 30 June 1896
- Died
- 20 May 1916
Highlights名品
Footed Bowl with Crabs, 1881
Pair of vases with hawk, bear and cub
Vase with pigeons and cherry blossom, 1871–82
Vase with two bears in an icy cave
A life in dates年譜抄
- 1842
Born in Kyoto, son of Makuzu Chōzō.
- 1871
Opens the Makuzu kiln at Ōta, Yokohama.
- 1876
Philadelphia Centennial: high relief takes the West by storm.
- 1881
Footed Bowl with Crabs.
- 1896
Imperial Household Artist.
- 1900
Grand prix, Paris.
- 1916
Dies, 20 May.
Sources典拠
- Wikipedia (English), “Makuzu Kōzan”, en.wikipedia.org, accessed 23 Oct 2026.
- Wikipedia (日本語)「宮川香山」, ja.wikipedia.org, accessed 23 Oct 2026.
- ColBase / Tokyo National Museum, G-105, colbase.nich.go.jp; e国宝 emuseum.nich.go.jp.
- 「没後100年 宮川香山」 Miyagawa Kozan Retrospective, Suntory Museum of Art, 24 Feb–17 Apr 2016; listing at NACT Art Commons and museum.or.jp (tour venues).
- Christie’s, 14 Sep 2011, lot page christies.com/lot-5470965 (catalogue note).